|  |   Notes 
        to the performers:This piece should be synchronized using mechanical timing devices, such 
        as stopwatches. In a recent performance, each performer had his or her 
        own stopwatch and one performer was designated to give a “downbeat,” 
        which marked the synchronization of all the stopwatches at 0:00 seconds 
        into the piece. I recommend a similar practice for all performances of 
        this piece. This piece works best when it is programmed towards the end 
        of a concert, or towards the end of a section of a concert. All performers 
        who have performed previously in the concert should perform in this piece.
 
 0:00-0:05: 
        Get prepared.0:05-0:11: Make the last sound that you remember making or hearing.
 0:11-0:19: Make the quietest sound that you remember making or hearing.
 0:19-0:39: Remember a point over the course of the concert when you were 
        making or hearing made many sounds simultaneously. Make these sounds.
 0:39-0:48: Make the loudest sound that you remember making or hearing.
 0:48-1:02: Make a sound that you made or heard for the first time over 
        the course of this concert.
 1:02-1:09: Silence, stillness (as much as is possible)
 1:09-1:23: Make whatever sounds you were making or hearing made immediately 
        after the piece that finished before this piece.
 1:23-1:27: Make the highest pitched sound that you remember making or 
        hearing.
 1:27-1:42: Silence, stillness.
 1:42-1:51: Make the highest pitched sound that you remember making or 
        hearing.
 1:51-2:11: Make whatever sounds you were making or hearing at the beginning 
        of the first piece on the program.
 2:11-2:41: Make the lowest pitched sound that you remember making or hearing.
 2:41-2:55: Make a sound that you have made or heard over the course of 
        this concert that you make or hear frequently; that is ordinary, everyday, 
        quotidian.
 2:55-3:03: Silence, stillness.
 3:03-3:13: Make the first sound that you made or heard at the very beginning 
        of this piece.
 3:13-3:53: Make a sound that you never have made before, even over the 
        course of this concert.
 3:53-4:15: Silence, stillness.
 4:15-4:25: Make the first sound that you remember making or hearing over 
        the course of this concert.
 4:25-5:00: Make the quietest sound that you remember making or hearing.
 copyright 
        © Jessica Feldman, 2003 - 2008 |