caesura: a forum
caesura: a forum is a site-specific sound and architectural installation, presented on the Acropolis in Marcus Garvey Park. The installation provides a space for gathering, listening, and community within the Harlem Park and is inspired by the park’s historic Fire Watchtower bell and past as a site for activist organizing.
The sonic component of the piece consists of an interactive composition, made up of bell sounds and voices. Historical and contemporary recordings from speeches, rallies, chants, and assemblies in Harlem are alternated with a through-composed layer of echoing bells. These sounds play and pause throughout the day, making acoustic space for participation and assembly. Analogous to a megaphone, the formal profile of the tower has been tipped sideways, allowing sound to be projected outward. Taut, translucent film runs through this shape and is mounted with electromagnetic transducers that turn the material into a speaker, allowing sound to pour down from the spaces in between the arches above visitors. Transducers mounted inside the steel plate, standing in for the absent bell, resonate occasionally with a sounds composed out of the reverberations of bells. A microphone mounted at the entrance to the installation leads to an interactive max patch, which senses speaking, and allows visitors to broadcast their own voices through the piece. New and old histories are recorded, spliced, and digitally scripted together, activating the acropolis throughout the day.
images, diagrams, and description here: http://caesura.nyc/
audio excerpts (please listen with headphones or good speakers if possible!)
(control-click to download and save file)
- Marcus Garvey, “Hon. Marcus Garvey on His Return to the U.S.A.,” July 1921, United Negro Improvement Association, Liberty Hall, Harlem
- Marcus Garvey, ”Explanation of the Objects of the Universal Negro Improvement Association,” July 1921, United Negro Improvement Association, Liberty Hall, Harlem
- field recording of #BlackLivesMatter protests, Winter 2014-2015, Harlem
- Robert Mugabe, “On Land Reform,” September 2000, Mount Olive Baptist Church, Malcolm X Boulevard
- Malcolm X, “The Black Revolution,” June 1963, Abyssinian Baptist Church, West 138th Street
- Assata Shakur, “An Open Audio to The Pope and The World,” January 1998, from exile in Cuba
- field recording of Marcus Garvey Park Drum Circle, June 2015, Marcus Garvey Park
- various recordings of bells, singing bowls, and resonant metal instruments
- microphone is live during pauses in the sound
Marcus Garvey speeches Copyright © 1995 The Marcus Garvey and UNIA Papers Project, UCLA
“We wound through the poorer streets at first, a black image of sorrow, then turned into Seventh Avenue and down and over to Lenox. Then I hurried with the leading brothers to the park in a cab. A brother in the Park Department had opened the lookout tower, and a crude platform of planks and ranked saw horses had been erected beneath the black iron bell, and I could feel my eardrums throbbing with the old, hollow, gut-vibrant Dong-Dong-Doom.”
- Ralph Ellison, Invisible Man (New York: Vintage, 1995), 451.
cae·su·ra: a forum is made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by Lower Manhattan Cultural Council. cae·su·ra: a forum is also made possible in part with public funds from The Fund for Creative Communities, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by Lower Manhattan Cultural Council. LMCC.net